Panasonic Lumix G5 Review

July 24, 2012 | Mark Goldstein | Rating star Rating star Rating star Rating star Half rating star

Image Quality

All of the sample images in this Review were taken using the 16 megapixel Fine JPEG setting, which gives an average image size of around 6Mb.

The Panasonic Lumix G5 produced images of excellent quality during the review period. It produces noise-free images at ISO 100 to 800, with limited noise starting to appear at ISO 1600. ISO 3200 exhibits quite visible noise and loss of fine detail, and the fastest settings of ISO 6400 and 12800 are even noisier but still usable for small prints and web use.

The images were a little soft straight out of the camera at the default sharpening level and ideally require further sharpening in an application like Adobe Photoshop, or you can change the in-camera setting if you don't like the default results. The various Creative Controls and Photo Styles allow you to quickly and easily customise the look of the camera's JPEG images. The pop-up flash worked well indoors, with no red-eye and good overall exposure.

The night photograph was excellent, with the maximum shutter speed of 60 seconds allowing you to capture plenty of light. We struggled to see any differences between the Intelligent Resolution settings, but Intelligent D-range and the new HDR mode are effective features for capturing more detail in the shadows and highlights.

Noise

There are 8 ISO settings available on the Panasonic Lumix G5. Here are some 100% crops which show the noise levels for each ISO setting:

JPEG

RAW

ISO 160 (100% Crop)

ISO 160 (100% Crop)

   

ISO 200 (100% Crop)

ISO 200 (100% Crop)

   

ISO 400 (100% Crop)

ISO 400 (100% Crop)

   

ISO 800 (100% Crop)

ISO 800 (100% Crop)

   

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

   

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

   

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

   

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

File Quality

The Panasonic Lumix G5 has 2 different JPEG image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

Fine (7.14Mb) (100% Crop)

Standard (3.14Mb) (100% Crop)

   

RAW (18.9Mb) (100% Crop)

 
 

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft at the default sharpening setting, and benefit from further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level by tweaking the Film Mode, with five different settings available.

Original (100% Crop)

Sharpened (100% Crop)

   

Flash

The flash settings on the Panasonic Lumix G5 are Auto, Auto/Red-eye Reduction, Forced Flash On, Slow Sync./Red-eye Reduction and Forced Flash Off. These shots of a white coloured wall were taken at a distance of 1.5m.

Flash Off (28mm)

Flash On (28mm)

ISO 64 ISO 64
   

Flash Off (84mm)

Flash On (84mm)

ISO 64 ISO 64

And here are some portrait shots. As you can see, neither the Flash On setting or the Red-Eye Reduction option caused any amount of red-eye.

Flash On

Flash On (100% Crop)
   

Red-eye Reduction

Red-eye Reduction (100% Crop)

Night

The Panasonic Lumix G5 maximum shutter speed is 60 seconds and there's also a Bulb option for exposures up to 4 minutes long, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 160. I've included a 100% crop of the image to show what the quality is like. The camera takes the same amount of time again to apply noise reduction, so for example at the 15 second setting the actual exposure takes 30 seconds.

Night Shot

Night Shot (100% Crop)

Image Stabilisation

The Panasonic Lumix G5 has an antishake mechanism which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, I took 2 handheld shots of the same subject with the same settings. The first shot was taken with the stabilizer turned off, the second with it turned on. Here is a 100% crop of the image to show the results. As you can see, with image stabilisation turned on, the images are sharper than when it's turned off.

Shutter Speed / Focal Length

Image Stabilisation Off (100% Crop)

Image Stabilisation On (100% Crop)

1/6th / 28mm
     
1/5th / 84mm

Intelligent Resolution

The Panasonic Lumix G5's Intelligent Resolution feature identifies outlines, texture areas and soft gradation areas of the image and then automatically optimizes the edges and detailed texture areas while using noise reduction to make the soft gradation areas smoother. There are three available strengths - low, standard and high.

Off

Low

   

Standard

High

   
Extended  
 

HDR

The Panasonic Lumix G5's HDR mode combines three pictures taken at different exposures to create one image with greater dynamic range than a single shot.

Off

On

Intelligent D-Range

The Panasonic Lumix G5's Intelligent D-range setting adjusts the exposure setting to record more detail in the highlights and shadows, with three strengths available - low, standard and high.

Off

Low

   

Standard

High

Photo Styles

The Panasonic Lumix G5 has 6 preset Photo Styles, with Standard as the default setting. The contrast, sharpness, saturation and noise reduction can be individually set for each picture style, and there is also a Custom style so that you can create your own look.

Standard

Vivid

   

Natural

Monochrome

   

Scenery

Portrait

Creative Controls

The Panasonic G5 has an extensive range of Creative Controls, denoted by an artist's palette on the shooting mode dial, with 14 different options on offer.

Expressive

Retro

   

High Key

Low Key

   

Sepia

Dynamic Monochrome

   

Impressive Art

High Dynamic

   

Cross Process

Toy Effect

   

Miniature Effect

Soft Focus

   

Star Filter

One Point Color

Sample Images

This is a selection of sample images from the Panasonic Lumix G5 camera, which were all taken using the 16 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Panasonic Lumix G5 enables users to capture RAW and JPEG format files. We've provided some Panasonic RAW (RW2) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

This is a sample movie at the quality setting of 1920x1280 at 50 frames per second. Please note that this 20 second movie is 70Mb in size.

Product Images

Panasonic Lumix DMC-G5

Front of the Camera

 
Panasonic Lumix DMC-G5

Front of the Camera

 
Panasonic Lumix DMC-G5

Front of the Camera / Pop-up Flash

 
Panasonic Lumix DMC-G5

Isometric View

 
Panasonic Lumix DMC-G5

Isometric View

 
Panasonic Lumix DMC-G5

Isometric View

 
Panasonic Lumix DMC-G5

Isometric View

 
Panasonic Lumix DMC-G5

Rear of the Camera

 
Panasonic Lumix DMC-G5

Rear of the Camera

 

Panasonic Lumix DMC-G5

Rear of the Camera / Image Displayed

 
Panasonic Lumix DMC-G5

Rear of the Camera / Turned On

 
Panasonic Lumix DMC-G5

Rear of the Camera / Main Menu

 
Panasonic Lumix DMC-G5

Rear of the Camera / Main Menu

 
Panasonic Lumix DMC-G5

Rear of the Camera / Quick Menu

 
Panasonic Lumix DMC-G5

Rear of the Camera / Touchscreen Interface

 
Panasonic Lumix DMC-G5

Swivelling LCD Screen

 
Panasonic Lumix DMC-G5

Swivelling LCD Screen

 
Panasonic Lumix DMC-G5

Swivelling LCD Screen

 
Panasonic Lumix DMC-G5

Top of the Camera

 
Panasonic Lumix DMC-G5

Bottom of the Camera

 
Panasonic Lumix DMC-G5

Side of the Camera

 
Panasonic Lumix DMC-G5

Side of the Camera

 
Panasonic Lumix DMC-G5

Front of the Camera

 
Panasonic Lumix DMC-G5

Front of the Camera

 
Panasonic Lumix DMC-G5

Memory Card Slot

 
Panasonic Lumix DMC-G5

Battery Compartment

Conclusion

The Panasonic Lumix G5 is an accomplished mirrorless camera that upgrades its excellent predecessor in a number of significant ways in order to keep up with the fast-moving competition. A higher price tag means that it's not quite the bargain that the G3 was, but we can still highly recommend this realistic alternative to a bigger and bulkier DSLR.

With a bigger handgrip the G5 isn't quite as small as the G3, but we prefer the extra ease-of-use and the repositioned shutter button. It's also still remarkably comparable in size to the company's original GF1 mirrorless camera, which didn't have either a built-in viewfinder or fold-out LCD screen, a real testament to the progress that Panasonic have made with its Lumix G range. We also really like the G5's higher resolution LCD screen faster burst shooting, eye proximity sensor, level gauge, although we can take or leave the curious function lever.

Image quality is on a par with the G3, with noise not rearing its ugly head until ISO 1600. DSLR users probably won't be impressed by this feat, but in the world of Micro Four Thirds it's crucially as good as the competition. We wouldn't bother using the new headline-grabbing 12,800 speed though.

The G5's touch-sensitive screen and increased number of external controls, many customisable to suit your way of working, combine to create a hybrid interface that genuinely speeds up the camera's operation, while the free-angle, rotating LCD and high-resolution electronic view-finder are still pretty rare to find together on a compact system camera. Completing the G5's impressive bag of tricks are the super-fast auto-focusing system, 6fps burst shooting, improved 1080/50p Full HD video mode, the silent electronic shutter and a bigger range of creative filter effects.

In summary the new G5 is more of a natural evolution rather than a radical departure from the still available G3, but that's actually a compliment rather than a criticism. One of our favourite compact system cameras from 2011 may have become more expensive, but it's also more accomplished than its predecessor, making the new Panasonic Lumix G5 one of the best DSLR pretenders and one of the best mirrorless cameras on the market.

4.5 stars

Ratings (out of 5)
Design 4.5
Features 5
Ease-of-use 4.5
Image quality 4.5
Value for money 4.5

Review Roundup

Reviews of the Panasonic Lumix G5 from around the web.

ephotozine.com »

The Panasonic Lumix G5 is the latest camera from Panasonic, and is the update to last year's Panasonic Lumix G3 and is tested with the compact Lumix G Vario X 14-42mm power zoom lens. Panasonic say that their cameras shouldn't be called mirrorless or compact system cameras (CSCs), but should instead be called Digital Single Lens Mirrorless (DSLM) cameras. Whether this will take off or not is another matter, but they are keen to point out that they believe this a match for Digital SLRs.
Read the full review »

neocamera.com »

The Panasonic Lumix DMC-G5 is a compact Micro Four-Thirds mirrorless camera from Panasonic. It is designed to provide the versatility of ILCs and high image-quality in a small size. A 16 megapixels LiveMOS sensor capable of ISO 200 to 12800 and full 1080p HD 60 FPS video is at its center.
Read the full review »

Specifications

TYPE

Type Digital Single Lens Mirrorless camera
Recording media SD memory card, SDHC memory card, SDXC memory card (Compatible with UHS-I standard SDHC/SDXC memory cards)
Image sensor size 17.3 x 13.0 mm (in 4:3 aspect ratio)
Lens Mount Micro Four Thirds mount

IMAGE SENSOR

Type Live MOS Sensor
Total pixels 18.31 Megapixels
Camera effective pixels 16.05 Megapixels
Colour filter Primary color filter
Dust reduction system Supersonic wave filter

RECORDING SYSTEM

Recording file format Still Image: JPEG(DCF, Exif 2.3), RAW, / MPO (When attaching 3D lens in Micro Four Thirds standard) / Motion Image: AVCHD (Audio format: Dolby Digital 2ch) / / MP4 (Audio format AAC 2ch)
Aspect ratio 4:3, 3:2, 16:9, 1:1
Image quality RAW, RAW+Fine, RAW+Standard, Fine, Standard, / MPO+Fine, MPO+Standard (with 3D lens in Micro Four Thirds System standard)
Color Space sRGB, Adobe RGB
File size(Pixels)
Still Image [4:3] 4608x3456(L) / 3264x2448(M) / 2336x1752(S) / 1824x1368(When attaching 3D lens in Micro Four Third System standard) / [3:2] 4608x3072(L) / 3264x2176(M) / 2336x1560(S) / 1824x1216(When attaching 3D lens in Micro Four Third System standard) / [16:9] 4608x2592(L) / 3264x1840(M) / 1920x1080(S) / 1824x1024(When attaching 3D lens in Micro Four Third System standard) / [1:1] 3456x3456(L) / 2448x2448(M) / 1744x1744(S) / 1712x1712(When attaching 3D lens in Micro Four Third System standard)
Motion Image (MP4*1 : NTSC) [Full HD]1920×1080, 30fps (sensor output is 30p) / [HD]1280x720, 30fps (sensor output is 30p) / [VGA] 640x480, 30fps (sensor output is 30p)
Motion Image (MP4*1 : PAL) [Full HD] 1920×1080, 25fps (sensor output is 25p) / [HD] 1280x720, 25fps (sensor output is 25p) / [VGA] 640x480, 25fps (sensor output is 25p)
Continuous recordable time (Motion images)*3 AVCHD with picture quality set to [FSH]: Approx. 150 min with H-PS14042 / AVCHD with picture quality set to [FSH]: Approx. 140 min with H-FS014042 / AVCHD with picture quality set to [FSH]: Approx. 150 min with H-FS45150
Motion Image (AVCHD*1 : NTSC) [Full HD] 1920x1080, 60p (sensor output is 60p) (PSH: 28Mbps)*2 / [Full HD] 1920×1080, 60i (sensor output is 60p) (FSH: 17Mbps) / [Full HD] 1920x1080, 30p (sensor output is 60p) (FPH: 17Mbps) / [HD] 1280 x 720, 60p (sensor output is 60p)?SH: 17Mbps)
Motion Image (AVCND*1 : PAL) [Full HD] 1920×1080, 50p (sensor output is 50p) (PSH : 28Mbps)*2 / [Full HD] 1920x1080, 50i (sensor output is 50p) (FSH : 17Mbps) / [Full HD] 1920x1080, 25p (sensor output is 50p) (FPH: 17Mbps) / [HD] 1280 x 720, 50p (sensor output is 25p)?SH:17Mbps)
Actual recordable time (Motion images) AVCHD with picture quality set to [FSH]: Approx. 75 min with H-PS14042 / AVCHD with picture quality set to [FSH]: Approx. 70 min with H-FS014042 / AVCHD with picture quality set to [FSH]: Approx. 75 min with H-FS45150

VIEWFINDER

Type Live View Finder (1,440,000 dots equivalent)
Field of view Approx. 100%
Magnification Approx. 1.4x / 0.7x (35mm camera equivalent) with 50mm lens at infinity; -1.0 m -1
Eye point Approx.17.5mm from eyepiece lens
Diopter adjustment -4.0~+4.0?dpt?
Eye sensor Yes
Eye sensor adjustment High / Low

FOCUS

Type Contrast AF system
Focus mode AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF
AF mode Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint
AF detective range EV 0 - 18 (ISO100 equivalent)
AF assist lamp YES
AF lock Set the Fn button in custom menu to AF lock
Others Quick AF, Continuous AF (during motion image recording), AF+MF, Eye Sensor AF, Touch AF, Touch Pad AF, Touch shutter, Touch MF Assist,

EXPOSURE CONTROL

Light metering system 144-zone multi-pattern sensing system
Light metering mode Intelligent Multiple / Center Weighted / Spot
Metering range EV 0 - 18 (F2.0 lens, ISO100 equivalent)
Exposure mode Program AE, Aperture Priority AE, Shutter Priority AE, Manual,
ISO sensitivity (Standard Output Sensitivity) Auto / Intelligent ISO / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / (Changeable to 1/3 EV step)
Exposure compensation 1/3EV Step ±5EV
AE lock Set the Fn button in custom menu to AE lock
AE bracket 3,5,7 frame, in 1/3 or 2/3 or 1EV Step, ±3 EV

WHITE BALANCE

White balance Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2 / Color temperature setting
White balance adjustment Blue/amber bias, Magenta/green bias
Color temperature setting 2500-10000K in 100K
White balance bracket 3 exposures in blue/ amber axis or in magenta/ green axis

SHUTTER

Type Focal-plane shutter
Shutter speed Still Images: Bulb (Max.120), 1/4000 ~ 60 / Motion image: 1/16000 ~ 1/30 (NTSC), 1/16000 ~ 1/25 (PAL)
Self timer 10sec, 3 images/ 2sec / 10sec

BURST SHOOTING

Burst speed SH : 20.0 frames/sec, H: 6.0 frames/sec(with AFS), M: 3.7 frames/sec (with Live View), L: 2.0 frames/sec (with Live View)?
Number of recordable images 9 images (when there are RAW files with the particular speed) / Unlimited consecutive shooting (when there are no RAW files) / (depending on memory card size, battery power, picture size, and compression)

SCENE GUIDE

Still image Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow / Glistening Water / Clear Nightscape / Cool Night Sky / / Warm Glowing Nightscape / Artistic Nightscape / Glittering Illuminations / Clear Night Portrait / Soft Image of a Flower / Appetizing Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome
Video Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow / Clear Nightscape / Cool Night Sky / / Warm Glowing Nightscape / Artistic Nightscape / Clear Night Portrait / Appetizing Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome

BUILT-IN-FLASH

Type TTL Built-in-Flash, GN10.5 equivalent (ISO 160 ?m), Built-in Pop-up
Flash Mode Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, / Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Synchronization speed Less than 1/160 second
Flash synchronization 1st. Curtain Sync, 2nd Curtain Sync.

LCD MONITOR

Type TFT LCD with Touch panel
Monitor size Free-angle 3.0inch (7.5cm)/ 3:2 Aspect / Wide-viewing angle
Pixels 920K dots
Filed of view Approx. 100%
Monitor adjustment Brightness (7 levels), Contrast and Saturation (7 levels), Red tint (7 levels), Blue tint (7 levels)

LIVE VIEW

Digital zoom 2x, 4x
Extra Tele Conversion Still image: Max.2x (Aspect ratio sets at 4:3. Not effective with L size recording. Magnification ratio depends on the recording pixels and aspect ratio.) / Motion image: 2.4x (PSH, FSH in AVCHD and FHD in MP4), 3.6x (SH in AVCHD and HD in MP4), 4.8x (VGA in MP4)
Other functions Guide Lines (3 patterns) / Real-time Histogram

LEVEL GAUGE

Level Gauge Yes (Built-in 3 shaft accelerometer sensor)

DIRECTION DETECTION FUNCTION

Direction Detection Function Yes

FUNCTION BUTTON

Fn1, Fn2, Fn3, Fn4, Fn5 One Push AE / Preview / Level Gauge / Focus Area Set / Photo Style / Aspect Ratio / Picture Size / Quality / Focus Mode / Metering Mode / HDR / Flash / / Flash Adjust. / i.Resolution / i.Dynamic / Ex. Tele Conv / Digital Zoom / Electronic Shutter / Stabilizer / Motion Pic. Set / Picture Mode / Histogram / Guide Line / / Step Zoom / Zoom Speed / Rec Area / Sensitivity / White Balance / AF Mode / Drive Mode / Playback

PLAYBACK

Playback mode Normal playback, 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (16x Max.), Slideshow (duration & effect is selectable), Playback Mode (Normal/Picture/Video/3D Play/Category/Favorite), / Title Edit, Text Stamp, Video Divide, Resize, Cropping, Rotate, Favorite, DPOF Print set, Protect, Face Recognition Edit

IMAGE PROTECTION / ERASE

Protection Single / Multi, Cancel
Erase Single / Multi / All / Except Favorite

FUNCTION LEVER

FUNCTION LEVER Yes (AUTO/Zoom/EXP.)

CREATIVE CONTROL

Still image Expressive / Retro / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Miniature Effect / Soft Focus / Star Filter / One Point Color
Video Expressive / Retro / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Miniature Effect / One Point Color

PRINT

Direct Print PictBridge compatible?Print size, Layout, Date setting are selectable ?

INTERFACE

USB USB 2.0 High Speed
HDMI miniHDMI TypeC / Video: Auto / 1080p / 1080i / 480p / Audio: Stereo
Audio video output Monaural Type, NTSC/PAL, NTSC only for North America / *Check the website of the Panasonic sales company in your country or region for details on the products that are available in your market.
Microphone Stereo, Wind-cut: Off / Auto / Flicker reduction:[1/50] / [1/60] / [1/100] / [1/120] / OFF / Microphone level adjustable: Lv1 / Lv2 / Lv3 / Lv4
Speaker Monaural

PHOTO STYLE

Still image and Video Standard / Vivid / Natural / Monochrome / Scenery / Portrait / Custom

LANGUAGE

OSD language Japanese, English, German, French, Italian, Spanish(English)

POWER

Battery Li-ion Battery Pack (7.2V, 1200mAh) (Included) / Battery Charger
Battery life (CIPA standard) Approx. 320 images with H-PS14042

Dimensions/ Weight

Dimensions (W x H x D) 119.9 x 83.2 x 70.8 mm / 4.72 x 3.28 x 2.79 inch?(excluding protrusions)
Weight Approx. 396g / 0.87 lb ?SD card, Battery, Body) / Approx. 346g / 0.76 lb ?Body only) / Approx. 491g / 1.08 lb ?SD card, Battery, H-PS14042 lens included?

OPERATING ENVIRONMENT

Operating temperature 0? to 40? (32°F to 104°F)
Operating humidity 10% RH to 80? RH

STANDARD ACCESSORIES

Software PHOTOfunSTUDIO 8.2 PE / SILKYPIX® Developer Studio 3.1SE / LoiLoScope (trial version) / USB Driver
Standard accessories Body, Body Cap, LUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S. (H-PS14042), / Lens Cap, Lens Rear Cap, Battery Charger, Battery Pack, USB Connection Cable, / Shoulder Strap, CD-ROM

INTERCHANGEABLE LENS-1

Lens Name LUMIX G X VARIO PZ 14-42mm/F3.5-5.6 ASPH/POWER O.I.S
Lens Construction 9 elements in 8 groups (4 aspherical lenses , 2 ED lens)
Nano Surface Coating Yes
Mount Micro Four Thirds mount
Optical Image Stabilizer YES (POWER OIS)
Focal Length f=14-42mm (35mm camera equivalent 28-84mm)
Aperture Type 7 diaphragm blades / Circular aperture diaphragm
Aperture range F3.5(Wide) - F5.6(TELE)
Minimum Aperture F22
Closest Focusing Distance 0.2m / 0.66ft (14-20mm), 0.3m / 0.98ft (21-42mm)
Maximum magnification Approx. 0.17x / 0.34x (35mm camera equivalent)
Diagonal Angle of View 75°(Wide) to 29°(TELE)
General
Filter Size φ37mm / 1.5in
Max. Diameter φ61mm / 2.4in
Overall Length Approx. 26.8mm / 1.1in *
Weight [g] Approx. 95g (excluding lens cap and lens rear cap)
Weight [oz] Approx. 3.4oz (excluding lens cap and lens rear cap)
Others Electric zoom lever, Manual focus lever

Further Specifications

NOTE *1 Use a card with SD Speed Class with "Class4" or higher / *2 Continuous recording exceeding 4GB or 29 min 59 sec is not possible when recording AVCHD in PSH. / *3 Videos can be recorded continuously for up to 29 min 59 sec in European PAL areas. Continuous recording exceeding 4GB or 29 min 59 sec is not possible when recording MP4. For Full HD in MP4, the recordable time will drop below 29 min 59 sec.

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